Where to Buy 16mm Film in Stock

The classic Krasnogorsk-3 (Красногорск-3) camera is a sturdy 16mm movie camera that was originally manufactured in the former USSR. This movie camera is also known as the K-3 which has been a popular classic entry-level camera for North American film students and aspiring filmmakers for the past few decades at film schools.  Even small independent filmmakers use this motion picture camera for their small-budget creative productions. The K-3 operates on a spring motor that is wound up by the camera operator using a winding lever situated on the side. The Krasnogorsk 3 camera runs for about 25 seconds at 24 frames per second so filmmakers have to be efficient with the length of their camera takes. The K- 3 can adjust its frame rates per second (between 8 fps to 48 fps). An optional release cable is available for shooting at single frames. Some inventive filmmakers have even adapted and modified their Krasnogrosk 3 camera to shoot in Super 16 mm film which are also available for sale by online dealers. Even though the K-3 cameras have stopped being produced in Russia back in the early 1990s, this camera is still sought after by movie-makers to this day. If you are shopping for a mint condition K-3 movie camera, take a look at these great bargains on mint Krasnogorsk movie cameras for sale online.

Buying a mint Krasnogorsk 3 film camera will get you step closer in your goal of becoming a film maker. The idea of creating movies and creating images to accompany a really good story is certainly an enticing idea.

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How to Load a K3 Camera

Where to Buy 16mm CIR Film Guillotine, Neutaper Editing Splicers for Sale?

For many decades, movie editors have been using film splicers to physically cut and join film strips to create their motion picture stories. Even though digital editing computer systems currently dominate the industry, filmmakers still enjoy splicing their movies together in a classic way especially when it comes to 16mm independent movies and student films. Here you can find the best deals on mint condition CIR Guillotine, Neutaper, or Rivas edit tape splicers for picture and sound. Most of these films edit splicers are in 16mm format but some are available in 8mm and 35mm for cutting motion picture film.

NEUTAPER GUILLOTINE TAPE SPLICER

This 16 mm film splicer made by Neumade uses nonperforated NP tape in rolls to splice together your film during editing. Pull the tape over the film, press the handle, and a perfect perforated splice is formed. Flip the film over to do the other side..and the splice is done. Does a straight cut on the frame line splice. A very popular quality tape splicer for 16mm motion picture film. Mint condition Neumade movie splicers list over $600. No other brand of 16mm guillotine film splicer comes close to the quality and ruggedness of the Neutaper. This 16SS model will also do standard 8mm film splicing. Splice the standard 8mm film as usual. This leaves a fold-over tab. Then re-perf the 8mm holes using the Neutaper. A fast standard 8mm splice in 3 steps.

CIR Catozzo Film Splicer

If you are looking for a more affordable but quality-made guillotine splicer, Leo Catozzo brand film splicers are a very good alternative. Authentic CIR Catozzo guillotine splicers are quality made in Italy and usually, his trademark is stamped on the side of the splicer. These splicers are double cutters meaning they have two blades: a straight blade for picture film and a diagonal one for sound mag film.

These brands of film splicers are typically easy to find on online auctions. The Rivas is a bit harder to find.

Rivas Film Splicer

This editing tool is an alternative choice for some film editors. It was originally invented by sound engineer Carlos Rivas during the 1950s to splice magnetic sound film. Today, some film editors use the Rivas to cut and splice together their picture film. Unlike the guillotine splicer, you do not have to worry about accidentally punching sprocket holes if you misalign your film. However, since the Rivas doesn’t punch sprocket holes, this tool requires a bit more dexterity because you have to apply perforated rolls of splice tape correctly. Or use individual Kodak splice tapes that are easy to apply but gets quite expensive compared to tape rolls. If you have clumsy fingers or a beginner, try the guillotine splicer instead.

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How to Use a 16mm Ciro Guillotine Tape Splicer

This website is filled with moviemaking resources, offering useful information for independent filmmakers and film students who are shopping for the best online bargains on 16mm film stock, used movie cameras, vintage movie projectors, light meters, editing splicers, reels, movie clapboards, and other mint motion picture and post-production equipment for sale.  Many people starting out in the film industry are restricted within a tight budget and find means of acquiring film equipment and supplies at the lowest price possible in order to produce and finish their movies.  Shooting a movie on a low budget is possible when you plan and research everything, including purchases. Don’t let the high costs of film production scare you away from completing your dream film. You can find good discount deals on many movie supplies and motion picture equipment for sale online!

Our site also list a selection of helpful books on 16mm film production and editing. Many used or previously owned 16mm equipment are available for a low cost through online auctions. Film-makers who overbuy film stock and movie supplies for their shoot end up selling their overstock at a lower price. Also, a few online retailers like BH Photo Video sell brand new film stock and products at a lower price. This film site organizes these 16mm film stock, movie cameras, and other equipment that are for sale in an easy to find manner so you can take advantage of these deals, and at the same time, read some of our helpful information on various 16 mm film equipment and supplies. We also have a resource for buying 8mm or 16mm Vintage American or foreign movie and cinema prints for sale from around the world if you have your own motion picture library.

However, before you get started, there are a number of things that you must consider. The most important of which would be getting into film school. Learning all the different aspects of this art would enable you to not only hone your skills but also help you find your own style. After all, every well-known filmmaker has their own signature style which has helped them create their own cult following. Just take Alfred Hitchcock, David Lynch, and Tim Burton for example. They all have very distinct styles that are easily recognizable by film lovers the world over.

Film school is basically were you will be able to learn all the different sides of filmmaking. There are two different kinds of film schools from which you can choose from. The first of which would be university film school programs which are more conventional and focus more on the actual practice of movie production whereas the more traditional film schools actually focus more on the theories of filmmaking. In these schools, you would be taught on various subjects including the fundamental movie-making procedures and processes such as post-production and screenwriting basics. Most students prefer the non-traditional way of studying film as it provides them with more flexibility and the opportunity to be creative.

But why is it important for a filmmaker to go to film school? Well, it is quite simple. You would need a sturdy foundation for your art. Yes, creativity and imagination are a filmmaker’s best assets but you wouldn’t be able to take your art to its full potential lets you know the technical aspects of filmmaking as well. Getting to this level of understanding of filmmaking would certainly be beneficial, especially if you’ve already managed to find your way into the industry. Knowing what the different components do should certainly serve an aspiring filmmaker well.

In the United States, one of the best and most recognized film schools would be The UCLA School of Theater, Film, and Television which is located in Los Angeles. Here, students would be able to combine both theory and practice. In Canada, the Vancouver Film School certainly stands out when it comes to the study of filmmaking. In fact, 50% of the school’s students came from other countries thus making a very international film school.

If you are serious about pursuing your craft and want to learn as much as you can, enrolling in a good film school should be definitely a priority in your career. It is never too late to enroll. People of all ages and nationalities have dreams of becoming a filmmaker. After all, having a good foundation would make you more confident and provide you with the knowledge that you would need in order to develop your craft even further.

A clapper is a filmmaking device that is used mainly to mark specific scenes and takes, as well as assist in synchronizing the pictures and sound in a film being produced. This device is also referred to as clapboard, clapperboard, or slate board. There are two major components of a clapper: the slate and the clapstick. The slate held the information used to identify scenes and the clapstick was used to align sound with picture. During the early days of the film industry, one person holds the slate for the camera while another clapped the sticks together for synchronization. The two components were later combined into a single unit to make the job easier for just one person to handle. People who are unfamiliar with film work may think that this board is nothing more than a signage of sorts that identifies the current scene that is being shot. This is because most of us are used to the mechanism of the camcorder, which records video and sound on the same tape. Filming a movie is a totally different matter because the pictures and sounds are recorded independently of each other. This is where a clapper is needed.

The clapboard slate contains the date, title, director, and scene information (scene and take number, camera angle). The clapsticks provide specific audio markers, which are very important especially when multiple cameras are used in filming. The information on the slate helps the editing team identify which sound sequence should go with a particular shot and the markers provided by the sticks signal the exact moment that a take begins, thus making sound synchronization easier for scenes with multiple takes.

And while the slate board already contains the information as to which scene is being shot and what particular camera angle is being used, a verbal slate is also needed for audio purposes. A person states the scene and takes number to make it easier for the laboratory technician to identify the shot. This creates less confusion for the technician and ensures that the dailies are released on time.
The first clapperboard was made up of a wooden chalkboard with a hinged clapstick attached on top of it. With the passing of time, this has evolved into a pair of wooden sticks attached to the top of a whiteboard or acrylic glass slate. This later model of the clapboard was preferred because the information written on it was legible even without additional lighting.

The clapsticks themselves have undergone some modifications through the years. The original version had diagonal black and white stripes to make it clearly visible in any lighting condition. Lately, clapboards with colored stripes are also being used and some productions are even using digital versions in lieu of a real clapper.

The clapperboard has also kept abreast with modern technology with the advent of the electronic time code version. This is a digital slate where a time code is displayed on a large LED screen. This version of the movie slate generally no longer needs the clapper since the time code itself lets the editor know which scenes and shots go with which sound sequence. In the absence of a clapperboard, the sound in the film is wild. In this case, the lab technician will try to do rough synching for the rushes or simply provide a separate section of dailies for the audio. As you listen to the audio in this instance, you will only see a card saying “Wildtrack” on the film. The editing room then is where you can truly appreciate the value of that little blackboard thing with the sticks on top.

Buy discount new raw 16mm film stock for shooting a movie for sale. Search for cheap Kodak or Fuji film stock and 16 mm film accessories for low-budget film making.

Two major suppliers of 16mm film today is Kodak and Fujifilm. Eastman Kodak introduced 16 mm motion picture film and equipment in 1923 as an inexpensive amateur alternative to the 35 mm film format. Compared with 35 mm film, the 16 mm format offered advantages such as smaller, cheaper movie cameras and lower film stock and developing costs. Kodak originally aimed this format for the home movie enthusiast but found a successful niche in the educational market. During World War II, the portability of 16 mm cameras made this format popular for professional news reporting. In the 1950s and 60s, there was a huge growth in 16mm production for business, documentary, government, and the medical industry. Currently, 16 mm film is the popular format for independent and film school students.

Although Fuji Photo Film Company was found in 1934 and its released motion picture positive film thrived in Japan, Fujifilm did not enter into the North American film market until much later. Currently 16mm Fujifilm is very competitive against Kodak in terms of quality and pricing.

	New 16mm KODAKColor or Black & White Negative or Reversal
	New 16mm FUJI Color or Black & White Negative